Alfredo Leonardi Movies

Stories of Italian emigrants in Berlin declined without an ethic of sacrifice and goodism but through a sense of the ferocity necessary to wrest...

Omsa Sud workers’ struggle to keep the factory occupied. The documentary was partially realized within a project financed by the city of Fermo,...

In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones...

Leonardi's first documentary Indulgenza Plenaria explicitly exposed, and implicitly criticized, a prevailing culture of oppressive policing and...

Motion Vision was originally screened in alternation with slides as part of the rotating installation Rotor Vision, in Rome in 1967 for the seminal...

A collective portrait of 1960s Italy, captured through fleeting glimpses of men and women poised between the intimacy of daily life and the public...

Prison as the repressed side of an entire society. As such, it flows in the long monologue of an ex-con recorded by the analogue videotape which,...

The faces of beauty are infinite, if you only want to look at them, and the ones of infancy are the most divine. –A. L.

A compilation film of war newsreels and documentary material from historic, sociological and industrial films.

Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but...

In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering. I tried to visualize my present...

A deep dive into the beating heart of 1960s Stockholm—an era of change and contrasts, where modernity and tradition intertwine in a vibrant...

A piece of reality, a roman square, observed in a way to achieve a more intense self-perception. –A. L.

Images of the life of the Living, the material that composes it was originally shot for the film: "The Unconscious Rebels". The shots were re-edited...

Dedicated to Dieter Meier. voice-over by Gregory Markopoulos, reading an excerpt in English translation of Paul Valéry’s L’Homme...

To a large extent, Cage’s scores do not exist. They consist of instructions on how to create the score: a series of transparencies featuring...